Always mind this.
Are you frustrated with your characters? Are they slowing down what should be a gripping, page-turning story? Maybe it’s time you got them off their rear ends and put them to work.
In my re-writes, I search the text for characters who THINK rather than ACT. When I spot a cerebral, lackluster character, I start re-staging the scene like a director, deciding how the characters should approach and look at one another. When I’ve done my job, every character will be in motion. His tone of voice, eye movements, expressions, and stance will reflect and amplify his emotions and attitudes. THEN each character can tell a compelling story.
Body language is one of the most powerful tools a writer can use. When we express our characters’ emotions and thoughts in concrete, physical terms, we pull the reader deeper into the story.
In my sci-fi short story Aquarius, the protag…
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The Trekkers. 